| As a woman who has spent the majority of her career working in technology, the glass ceiling is real. I’ve encountered challenges in my career. In this sculpture, the glass sphere symbolizes the "glass ceiling" in various metaphorical ways. The female figure inside the sphere, with her poised and graceful stance, signifies all women striving to break through these invisible boundaries, reaching upward with the world in her hands. The delicate nature of the glass sphere could be a nod to the fragility of those boundaries—implying they can be shattered with the right force, perseverance, or change in perception. |
|
0 Comments
I’ve been working on some new mosaic sculptures for a show that will hang locally at Lunaria Gallery.
Started in California and completed in Oregon, this sculpture was a study in full coverage mosaic. I am absolutely thrilled with how this has turned out. I will be looking to update my website with a landing page for both my gallery work and my public art. Watch for that and more sculptures to complete and make it to the web soon!
I'm already in the studio and continuing my work on the large mosaic sculpture that I started on before my move. What's hysterical was the look on the movers face moving this big ol' half covered, half armature concrete THING. I've been working in my studio and had the lovely company of some of my new friends. One of them is my neighbor Marg who was inspired to create her own concrete mosaic sculpture - which is very ambitious! It's almost 4 feet tall! I love to see her dig in and master this craft and it's been fantastic sharing my passion with her. And... on a cold and rainy day it's great to have a studio to go to to make your own little sunshine happen. Guess who is now the Programming Director for the local arts association. Yup. I'm jumping right in and trying to help make something happen in Silverton. The Arts Association is centrally located in the Coolidge McClaine Park. COVID disrupted a good thing and it's time to squash COVID and make things happen again. I'd love to be teaching sculpture but the space is not really suited for industrial arts but we will try and find space for that all in due time. In the meantime... I'm busy trying to get a Spring quarter up off the ground. We have artists/teachers to meet, schedules to make, a communications plan to firm up, and classes to get posted for enrollment. So much to do and so little time as this is 100% volunteer - so that means nights and weekends. We've picked it all up - our entire lives - and moved it to Silverton, Oregon! That's right and we found a perfect property to afford us the space to TIG, MIG, Plasma Cut, and all that good stuff! Anne now has a studio comparable to the space she shared with artist, Anita Wiglesworth. Dave has a nice 1500 square foot shop where he can work on motorcycles to his hearts content. The community is amazing and we are thrilled to have found our little slice of heaven. I've always had tremendous respect for the individuals who have grown my mind and shaped my Fine Art career: Henry Hopkins first and foremost. I will never forget that man, his friendship, and his immense belief in me and my capacity as an artist. We could talk for hours about art, the world, the community, ourselves. I miss you Henry! George Herms really excited my mind and introduced me to found objects. He forever changed the way I look at dumpsters. He taught me how to work at scale and to not fear scale. It was because of him I learned how to weld and work with metal. 25 years ago I started to study neon with Christian Schiess at The Crucible in Berkeley, CA. I was thinking about using neon to illuminate my metal sculptures with it's vibrant ambient light. However, I went on to couple the neon with found objects - a practice I continue in my work today. When a teacher of yours invites you to exhibit your work alongside his, you jump at the opportunity. I am thrilled to be participating in this exhibition with Christian, and many of the amazing artists working with light that I've had the pleasure of collaborating with at The Crucible: Robert Graf, Norman Moore, Dan Cavin, and Kua Patten. RADIANCE
Rhythmix Cultural Works 2513 Blanding Ave Alameda, CA 94501 Opening Reception: November 13th 4:30-6:30pm Please come to the show! |
About me...
I work in the IT industry by day managing a team of software developers. I very much enjoy what I do. Technology changes as quickly as it gets boring so this career is suited perfectly for me. Categories |










RSS Feed